May 11, 2008

actual quotes

Filed under: , , , — Chris @ 12:47 pm

Today’s entry in the continuing adventures of the Great Nashville Homeless Hysterical Episode. All quotes are real. The names have been withheld to be nice:

Homeless man robs Dunn brothers at Knifepoint

According to what the owner told me, a black homeless man threatened his life in attempt to rob him. I walked in around 11:30 a.m. on Saturday morning and police had already handcuffed the man and put him in a police car. William met me there for coffee a few minutes later.

Just another reason not to live downtown for most Nashvillian’s and why Tony will never build his condo tower for the mega rich. A guy cannot even get a coffee anymore without a homeless thug committing a crime. I would love to read if the homeless guy defends the homeless on this one.

Not sure how he knew the guy was homeless. Maybe he was branded with a scarlet “H”.

Context to the next few. A couple that lives downtown was mugged last week. I have no doubt that this is a very scary thing to have happen to you, without a doubt, and I have nothing but sympathy. But .. anyways. Quotes:

I’m so sorry for what just happened to you, I hope you are ok. THESE GUYS WILL SOME DAY PAY FOR WHAT THEY DID!

This quote isn’t that bad or anything, I just thought it was funny. Okay, batman. Anyways, the real beaut:

There’s something else you could bring up if you have time, and if you agree with me. I think we ought to request that Public Works relocate some of the benches on Church Street to other parts of the downtown area…even as far as James Robertson. We’ve had the benches a few years now and all they do is encourage loitering and panhandling on Church Street. It looks bad for our city.

DOWN WITH BENCHES!! This will fix our panhandling problem for sure. Sigh.

ZOMBIES

Filed under: , , , — Chris @ 12:22 pm

Zombies

ZOMBIES!! Nashville’s first zombie walk. I kept up for half of it before steeplechase fatigue kicked in and I went home. More pictures here.

chasing the steeple

Filed under: , , — Chris @ 12:18 pm

steeplechase
“The more violent the body contact of the sports you watch, the lower the class.” — Paul Fussell

Ah, the American class sytem. If we hold Fussell’s quote as truth, where, then, does Steeplechase fall? It really is a remarkable assemblage of people. If you haven’t gone before due to any assumptions or misgivings you’ve had, please reconsider — it’s people-watching paradise. The entire thing fascinates me.

This year, thanks to CeeElCee and Fishwreck, I was hangin with the upper crust this year in the Stirrup club. None of this red-band nonsense like last year — this year I was a SILVER band. Jackson and his lovely wife Sabrina were nice enough to pick my ass up downtown. The hilarity started as soon as we arrived — our silver bands guiding us like a homing device to an empty air-conditioned shuttle, where I took a seat directly next to Jackson, waiting for the inevitable sardining to commence. Suddenly, I overheard a commotion to the front as a boarder was turned away, “Sorry, red-bands need to take a different shuttle — silver bands only.” We then closed the doors and took off, 7 passengers in a 35-person shuttle. I scooted out away from Jackson and put my leg up. “Fucking red-bands,” I thought to myself.

A short jaunt through percy warner park later, we arrived at our destination, despite a minor 10 minute traffic jam, which we slowly realized was only 10 feet from our destination anyway. (The ladies in our shuttle didn’t want to get out yet, because 10 feet in these shoes is still a long way!).

steeplechase

Horses jumping over a thing.

Things weren’t really that much different in the Stirrup Club than what I remembered of the infield from last year, but it’s always the little things that differentiate, right? Still had a row of portapotties, but there was no line. (They were, however, setup on a road with a precarious 15 degree slope. As Jim noted, if you weren’t feeling drunk before you went to pee, you definitely were afterwards.) Lots more space, and about 1/10th the people. And a fewer percentage of the hats were bought at Target the night before (I mean, I couldn’t tell, but I’m just guessing.) There was still plenty of bud and miller light, but each can was lovingly coozies and balanced by an equal number of flutes and glasses of champagne and sangria.

We setup a quick calcutta-alike on the first race (I lost), and then wandered down to the fence, where I took a few snapshots with my fancy new telephoto lens. As tempting as it was to sit in the shade drinking sangria in the pleasant hillside breeze, I felt an obligation to go experience all that Steeplechase has to offer. (Boobs) So, armed with my people-takin lens, I ventured off to the infield. Now, no matter how many times you look at a map of steeplechase, in my experience the best way to get from point A to point B is to just wander around until you accidentally get there. It was on this trek that the true power of my silver wristband really showed itself. I felt like I was backstage at a rock concert. “Sir, you can’t go back there, do you ..” *flashes silver wrist-band* “Oh, sorry, go ahead.” Actually, I did get turned away from a few places because it wasn’t the right gate for me to cross, or whatever. I’m sure there’s some gold or platinum wrist-band that gets you all access. Or maybe a solid gold hat. Anyways, I digress.

On my way to meet some friends, I stumbled into the area of the infield that can only be described as “the pit”. I don’t actually know if this is in the same physical place every year due to ticket price, or if like-minded fellows happen to find one another, but it was there last year as well. How to describe it .. Have you ever seen Lord of the Flies? Yeah, it was kinda like that. With beer. The above picture of the unfortunate hog was in the middle of a crowd of about 10 shirtless young men playing some sort of primitive form of handball with full cans of bud light. One of them nearly took my head off with a can, but I parried with a dodge and a hand on his back. Big mistake — he turned with a “time to dirty up someone’s seersucker” look in his eyes, which fortunately turned to recognition. My brother’s roommate. Saved, this time. He told me to meet them later at their spot, with promises of hunch punch they made. “Bring some chicks, they love that stuff.”

Kevin

Belle of the Ball

Finally, I managed to find my friends (using the stumble-upon approach), who were embroiled in the process of hitting on and/or getting kicked out by a lovely group of young ladies. It was around this time that I started ranting to Kevin about how amusing I find Steeplechase — the seeds of this post, probably. A few beers and a few ladies’ hat sizings later, I figured I should stop being rude to my hosts and get back to the Stirrup Club.

Shortly thereafter, my ride decided to head out, and I was feeling a little under the weather as well, so I left early (unlike last year). A quick shuttle ride and car ride later, I was home. Stark contrast to the massive traffic jam and heat-stroke/swimming drunkenness I had to fight through to get home last year.

The class displays at Steeplechase are endlessly amusing. It’d be easy to write-off a horse race as some pretentious upper-class affair, but that probably stopped being true around 1850 or so, at least in this country. And it’d be equally easy to look down your nose at the teeming masses of sweat and stale beer in the infield. It’s not a serious affair — everyone that goes pretty much has the same goal: drink some beer, eat some food, ogle sundresses and seersucker, and maybe, just maybe, see some horses race. There’s nothing too pretentious about it, really, at least there shouldn’t be. The most ostentatious display of class indicators tend to come not from that class itself but rather those that the most aspire to join it.

See you next year.

April 27, 2008

i don’t want to learn spanish

Filed under: , — Chris @ 10:52 pm

p1010074

I took this picture a few years ago during the big rally downtown. I can’t begin to explain how much it still cracks me up. I mean, the general surreality of it is one thing, but I just absolutely love the guy on the right. Everyone else is all like “SPEAK ENGLISH OR GO HOME!!”, “HELL NO TO MEXICO!!”. This guy, though — it’s not that he hates the mexicans. He just doesn’t want to learn Spanish.

“I don’t want to learn Spanish.”

I can’t stop laughing.

music sunday

Filed under: — Chris @ 1:48 pm

Some music blathering:

(more…)

April 14, 2008

april fools day

Filed under: , , , , , — Chris @ 10:43 pm

So, now that we’re 2 weeks out, I can deliver this rant briefly without raining on anyone’s parade:

I hate this fucking holiday. I don’t hate all pranks, I’m not a spoilsport or a curmudgeon or anything. In fact, Nick got me pretty good at work. It was subtle, and well thought-out. But here’s the thing. April Fools’ Day encourages a special kind of cretin that never learned the small detail wherein jokes are supposed to be funny. That is, a fucking april fools’ joke needs to be remotely plausible AND FUNNY, not just merely … plausible. That’s not funny. That’s stupid. It’s pretty easy to betray the trust of your common man. It’s actually pretty easy, watch: Hey, it’s raining out. Just kidding, it’s not. Oh shit, I got you good. This is merely an extension of the behaviour in general by people that never really Got humor. You know the people I mean. The guys who in grade school whose idea of humor was to “fuck with you”.

Them: Hey, we’re out of mayonnaise
Me: Shit, really? I just bought a new jar.
Them: Naw, I’m just fuckin with you. *asinine braying*
Me: …*
See Farva, Super Troopers for further examples.

These people are the reason that we now have to basically plug our ears and ignore everything and anything we hear on April Fools’ Day. Say it with me, people: more funny. I’m still, now, 2 weeks later, reading articles in google reader that are plausible, only to realize it’s a lie, because it was posted on April 1. Ha ha. You’re a fucking idiot.

juxtaposition

Filed under: , , , , , , — Chris @ 10:12 pm

An interesting juxtaposition of two very powerful pictures, pointed over at theonlinephotographer:

John Moore, Memorial Day at Arlington National Cemetery / Getty Images

John Moore, Memorial Day at Arlington National Cemetery / Getty Images

Jim Nachtwey, Afghanistan, 1996 - Mourning a brother killed by a Taliban rocket.

Jim Nachtwey, Afghanistan, 1996 - Mourning a brother killed by a Taliban rocket.

April 12, 2008

camera choice

Filed under: , , , , , , , , — Chris @ 11:54 am

Lately I find myself loathe to take out my Canon 20D for day to day picture taking. Part of this is because I’ve been trying to play around with film more, but lately I’m realizing it’s more than that. It’s not even the film at this point that is capturing my interest. Film certainly has its moments, but by and large, it’s still a giant pain in the ass. But what keeps me at it is not the film itself — it’s the cameras. By delving into the world of film, you basically have at your disposal a century (more if you have deep pockets, i guess) of awesome camera engineering. I have an aesthetic and maybe almost fetishistic attraction to these cameras. The nerdy engineer in me really loves all the different designs, contraptions and functional mechanisms in these devices.

Day 286: Yashica 5000e

Yashica Lynx 5000e

The Yashica (Lynx 5000e) I have, which I bought for a mere $15, is really a work of art. It’s got this gorgeous stainless steel top on the black plastic body. No matter how many times I’ve taken it apart and put it back together, all the pieces still fit snug, with very little give. It feels solid, heavy and dense. I used to joke with whatsherface about how we can always tell if something is good by whether or not it’s heavy/dense. I think this is an aesthetic qualification that probably goes back a long ways. Leaded crystal is very dense and thus heavy compared to regular glass, thus it’s better. We like a car door to have a heavy feel, with a solid thunk as it slams shut. Next time you’re out shopping for something — anything, really — pay attention to how you analyze it in a tactile sense. Ten bucks says you pick it up and sorta weigh it in your hands to gauge its quality. It’s almost a subconscious tendency. As we move increasingly into the digital age of the integrated circuit, this is a tendency that will probably increasingly go away, but with me, at least, it’s still alive and well. I feel like I could bludgeon someone to death with this camera and it’d still work.

But I digress. So I finally fixed the light sensor on this camera a few months ago. My dad long ago indoctrinated me into the “take it apart and put it back together” methodology for fixing something. You’d be surprised how often this works. So, after taking this camera apart, staring at it confusedly, and putting it back together around 5 or 6 times, I took it apart one last time. Though this time I pulled the cap a little too hard and ripped the wires for the light sensor clean off their mount. Re-soldered them back on, put it back together, and voila. Working light sensor. I guess the wires were just a little loose and/or corroded.

So I’ve been taking this camera out a lot more. Beyond my aesthetic attraction to it, I’ve discovered a newfound practical benefit. I love my 20D, but basically a DSLR is a magent for attention — negative or positive. Slap a lens as big as the 200mm 2.8L on it, and you may as well give up trying to be inconspicuous. Pretty much anywhere you go to take pictures you’re either going to intimidate everyone into submission or attract very annoying attention. (”Say, that’s a PROFESSIONAL camera, you work for the papers?!?”) Conversely, with a camera like the Yashica, I just look like any ol’ tourist, if people notice me taking pictures at all. Granted, it’s a camera with a 50 year old design, so you can always tell when some random photographer walks by and double-takes at it. But by and large, you’re just some schmoe taking pictures.

But, nonetheless, film is still a giant pain in the ass. This is why increasingly I have been thinking about buying some sort of pseudo “professional” compact camera — where “professional” just means manual controls and awesome performance. I don’t think there are any cameras that are quite there yet. The Ricoh GR-D II is pretty sexy, but it has an astronomical price, and is only marginally better than something like the Canon Powershot G-9. And that camera has some pretty serious noise problems at higher ISO. I guess I’ll wait. But I do see a market for an inconspicuous professional-grade camera, and I hope to take advantage of it if the cameras ever get bad-ass enough.

April 10, 2008

twitter and XMPP

Filed under: , , , — Chris @ 10:41 am

A chain of thought I had this morning:

  • Twitter is fun and (tentatively) tremendously useful, albeit difficult to explain
  • Twitter is a centralized proprietary service, and thus prone to issues of scaling (outages), and privacy.
  • Twitter is not magic technology –XMPP and SMS gateways could basically do everything it does now.
  • That’s nice and all, but Twitter has the user-base.
  • XMPP has a track record of being Really Cool Technology that languishes in obscurity due to its lack of user-friendly implementations and wide user-base adoption.
  • Google saved XMPP from a similar languishing death in the world of Instant Messaging by adopting this open standard as the basis for Google Talk.
  • Conclusion: Google needs to re-factor Google Talk to be/add a twitter-alike service.

Maybe?

April 1, 2008

updates

Filed under: , , , , , , , — Chris @ 9:35 pm

Angels

My dallying with film continues unabated. The above shot was the only worthwhile result from 2 rolls of Kodak Portra 400UC that I ran through a Holga 120S that I borrowed from a friend. The Holga didn’t have the framing bracket on the first roll, but I shot on the 16 exposure setting, resulting in the overlap from frame to frame. When I had it developed, I had them scan it, and they made a pass at scanning frames from that roll, resulting in this, which was nice. But, I cut the film original and re-scanned it and got a nicer scan with more artsy overlap goodness. I like the result a lot, although I have mixed feelings about its conception. I don’t consider it to be indicative of any particular skills that I have. Holgas really are the original point-n-shoot, after all, having no manual controls … whatsoever. But hey, I’ll take it. I’m still getting the hang of using my scanner — I am gonna try my hand at scanning some more once I finish plowing through a roll of cheap Kodak color film in my Yashica, and some B&W Ilford 120 125 film in my Seagull. All in all, it’s been fun playing with film, but I’m still not convinced it’s worth it, much less making the leap to developing at home.

Speaking of my scanner, I went a little nuts this weekend and scanned some stuff.

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